Behind all the stellar performances, there are jarring moments of imperfection.
Genius breeds success, success breeds hubris and hubris breeds discontent.
A Complete Unknown, is in constant flux due to the enigmatic nature of its main protagonist. A new persona is formed with each scene and song, creating an air of mysticism, swiftly shattered by the daunting and impossible feat that is imitating, arguably, the most recognisable and unique voice in music history. However, unlike a slew of other musical biopics, there are no rose-tinted glasses obscuring Timothee Chalamet’s trans-formative performance as Bob Dylan. Who, mirroring life, is portrayed as a raw combative force for change with an unpalatable, scandalous immaturity.
Through the utilisation of a linear timeline, moments of intense vocal isolation and immersive costume design, the audience is transported to a time of raucous evolution and fear, skilfully traversing the pitfalls of fame and the seductive nature of popularity. Goosebumps.
The burden of connection, empathy and compassion is almost solely carried by the supporting cast, especially, the women of the project. Structure and subtlety personified by Eriko Hatsune (Toshi). Independence, allure and lust flow through Monica Barbaro (Joan Baez). Innocence, naivety and devotion pour out of Elle Fanning’s (Sylvie Russo) heartbreaking performance.
From start to finish, if you allow yourself to sink into the music, each note becomes a chartered experience, painting over the cracks, to create an overall enjoyable viewing.
